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Conner Rives captures the theatre of creation for More or Less

A new film pulls pieces from three years of collections, celebrating the messy, glamorous energy of making clothes together. The designer reveals the joy that lives in the studio before the runway.

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A figure in cream fur embraces their shoulders against black, dark lipstick and pink eyeshadow caught in dramatic studio lighting
Conner Rives (@connerives)

Conner Rives has made a film for More or Less magazine that ventures into the studio itself, where the real alchemy happens. Threading through three years of show collections, the work captures something that often gets eclipsed by the finished garment: the theatre of making, the collaborative energy, the controlled chaos of creation.

Profile portrait of a model in cream fur hood tilted down, wearing wine-red lipstick against deep shadow

The shoot brought together designer Luna, Vanessa and Kai, alongside an expansive team. What emerged was a document of the process as much as the clothes. There is a particular glamour in the work itself before it reaches a runway or a hanger. The cutting, the draping, the conversations between hands and fabric, the moments of doubt and breakthrough that stitch a collection together. This is where the real performance lives.

On a green floor beneath studio lights, a director in navy cap and white shirt reviews notes on a red clipboard with crew members and camera equipment around her

The film understands something essential about Conner Rives’s practice: that the labour of making is itself beautiful, often more camp and theatrical than the polished final piece. The energy in a studio where people are genuinely excited about what they are building together carries a different charge entirely. The film honours that. It lingers on the mess, the improvisation, the impassioned focus. It lets you see why people choose to make clothes at all.

TBD pending image 4 review

The story pulls from collections across three years, weaving a narrative that speaks to continuity and evolution within the house’s vision. Each piece carries the fingerprints of that collaborative process. The film is a conversation between the designer’s intention and the hands that realise it, between concept and material, between the private studio and the public moment.

TBD pending image 5 review
TBD pending image 6 review

Imagery courtesy of Conner Rives (@connerives).

Profile portrait of a model in cream fur hood tilted down, wearing wine-red lipstick against deep shadow
On a green floor beneath studio lights, a director in navy cap and white shirt reviews notes on a red clipboard with crew members and camera equipment around her
TBD pending image 4 review
TBD pending image 5 review
TBD pending image 6 review

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