Kim Shui’s hand beaded crimson gown for the CFDA Awards
Designer Kim Shui created an extraordinary custom look for the CFDA Awards, a labour intensive crimson gown adorned with hand sculpted, hand painted and hand beaded embellishments. Every petal took thirty minutes to bead, with thread wrapping, spray painting and detailed embroidery executed across a Manhattan fire escape.
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Crimson silk pooled beneath careful hands as Kim Shui and collaborator Creepy Yeha began the intricate work of transforming fabric into sculpture. The custom gown commissioned for the CFDA Awards became a study in devotion to craft, each element hand made and hand applied over weeks of meticulous labour.

The dress itself was a foundation for ornament. Sculpted bases were built to anchor the embellishments, their forms rising from the fabric like petals emerging from the flesh of a flower. These organic protrusions were then wrapped in thread, their contours gradually becoming defined through careful winding and binding. The gold knots that would sit at each junction were spray painted on a fire escape overlooking Manhattan, their metallic finish catching light in the open air before being pinned and sewn into place. Beaded tassels hung from each sculptural element, their deep burgundy finish achieved through hand painting to match the dress exactly. Red beads were threaded with precision, matching their colour to the silk with an exactitude that only years of working with pigment and dye could produce.

Each petal took thirty minutes to bead. The number speaks to the deliberateness of the work. No detail was rushed. Every knot was hand sewn onto the garment after its beading was complete, layering texture upon texture. The dress became less a single piece than a culmination of decisions, a sequence of gestures made by hands working in concert.

Stylist Isiah Ahmad completed the vision, understanding how such an object should meet skin and movement. The result was a gown that moved beyond fashion into the territory of wearable sculpture, where the labour itself becomes visible and celebrated, where the time invested is not hidden but displayed.















Imagery courtesy of Kim Shui Studio (@kimshuistudio).

















