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Food — Restaurants

Acqualina resurrects two millennia of culinary dialogue between Rome and the East

Rome, Italy

A new lamb dish on the Sedimenti menu draws its inspiration from Apicius, the oldest surviving Roman cookbook, and a legendary recipe that echoed the flavours of ancient Parthia across the imperial table.

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A minimalist plated dish on natural clay: sliced lamb wrapped in dark green spinach leaf, a pool of dark red sauce, and white mousse arranged on burnt sand coloured powder against pale background.
Acqualina Ristorante (@acquolinaristorante)

Lamb braised in a pan, kissed by flame and wrapped in spinach leaf, arrives at table with its sauce of milk, star anise and cinnamon. Alongside it sits a cream of celeriac and leek, a compote of smoked dates, and a powder of burnt leek. The plate, austere and composed on natural clay, tells a story that begins two thousand years before it was conceived.

Close up detail of glossy caramelised lamb with bright green leek, shot against deep red backdrop with professional lighting revealing the meat's tender layered structure.

In Apicius’s De re coquinaria, the oldest Roman cookbook to survive antiquity, lamb prepared “alla partica” appears among the recipes that shaped imperial dining. The technique married Rome’s culinary authority with the spice forward traditions of Parthia, the ancient Eastern empire that stood as Rome’s rival across the centuries. What emerged was not conquest but conversation: a permanent exchange of flavour and method that would echo through the Mediterranean world.

The completed dish viewed from above on natural earthenware plate, showing sliced lamb with spinach and fresh leek garnish dusted with burnt powder, minimal and architectural composition.

The dish now rests on the Sedimenti menu at Acqualina Ristorante, where chef Daniele Lippi draws from this dialogue with the precision of an archaeologist and the intuition of an artist. The lamb’s flesh becomes tender through pan cooking before the char of the grill seals its surface. Spinach enfolds it like an ancient manuscript. The sauce of milk and warm spices evokes the trade routes and merchant ships; the burnt leek powder adds a contemporary note of restraint and discipline. Celeriac cream and smoked dates complete the composition, each element placed with intention rather than abundance.

Another angle of the plated lamb dish on natural ceramic plate, highlighting the contrast between the cooked meat, fresh greens, and the textured burnt leek powder base.

To eat this dish is to taste time itself: not merely the flavours that Rome borrowed from the East, but the moment when two culinary worlds chose to recognise themselves in one another. It is history served on a plate of unglazed clay, quiet and commanding.

The lamb component in isolation showing the precise layering and wrapping technique, with fresh mint leaf garnish and white mousse accent.
Close detail of the sauce and accompaniments showing the dark date compote, creamed celeriac, and burnt leek powder components of the dish.
Wide shot of the finished plate emphasizing the restrained, sculptural presentation and the natural patina of the handmade ceramic vessel.
Detail of the lamb's char and texture where it meets the spinach wrapper, revealing the technique of pan searing followed by grilling.
The full plated composition from a three quarter angle showing spatial arrangement of all components on the neutral base.
Final presentation of the dish ready for service, showing the interplay of colours from deep mahogany meat to bright green leaf and pale cream elements.

Imagery courtesy of Acqualina Ristorante (@acquolinaristorante).

Close up detail of glossy caramelised lamb with bright green leek, shot against deep red backdrop with professional lighting revealing the meat's tender layered structure.
The completed dish viewed from above on natural earthenware plate, showing sliced lamb with spinach and fresh leek garnish dusted with burnt powder, minimal and architectural composition.
Another angle of the plated lamb dish on natural ceramic plate, highlighting the contrast between the cooked meat, fresh greens, and the textured burnt leek powder base.
The lamb component in isolation showing the precise layering and wrapping technique, with fresh mint leaf garnish and white mousse accent.
Close detail of the sauce and accompaniments showing the dark date compote, creamed celeriac, and burnt leek powder components of the dish.
Wide shot of the finished plate emphasizing the restrained, sculptural presentation and the natural patina of the handmade ceramic vessel.
Detail of the lamb's char and texture where it meets the spinach wrapper, revealing the technique of pan searing followed by grilling.
The full plated composition from a three quarter angle showing spatial arrangement of all components on the neutral base.
Final presentation of the dish ready for service, showing the interplay of colours from deep mahogany meat to bright green leaf and pale cream elements.

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