Jewellery

BUCCELLATI BRINGS GOLDSMITHING AND GOLF TOGETHER ACROSS EUROPE IN 2026

Buccellati’s European golf circuit returns in 2026, bringing amateur players together across a selection of distinguished clubs while extending the Milanese maison’s engagement with sport. With professional golfer Alessandra Fanali as its ambassador, the programme connects competition, craftsmanship and the social traditions surrounding the game.

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Buccellati is continuing its relationship with golf in 2026 with a European amateur circuit developed in collaboration with its European partners. Following the success of the previous edition, this year’s programme travels through a selection of established golf destinations, bringing together the disciplines of sport and fine goldsmithing in a series of events that reflect the maison’s interest in craftsmanship, culture and conviviality.

The circuit began on 18 March at Golf Milano in Monza and is travelling through Rome, Antwerp, Paris and Lisbon before reaching its concluding event on 11 September at Golf Club Villa d’Este in Milan. The final occasion will be accompanied by celebrations at Buccellati’s historic Milan boutique on Via Montenapoleone, within the Piano Nobile.

Rather than positioning golf simply as a sporting association, Buccellati’s project is built around the shared values of precision, concentration and craftsmanship. Golf demands an attention to detail that is equally familiar within high jewellery, where the quality of a finished piece depends upon numerous specialised processes and the controlled execution of techniques developed over generations.

The 2026 programme also introduces a new sporting partnership through Alessandra Fanali, the Italian professional golfer and Ladies European Tour player. Fanali joins Buccellati as the maison’s ambassador for the golf initiative. Her career includes runner-up finishes at the 2022 Ladies Italian Open and the 2024 Magical Kenya Ladies Open, placing her at the centre of the brand’s continued engagement with competitive golf.

Fanali’s involvement gives the project a connection to professional sport while the circuit itself remains focused on amateur players. The distinction is important: the events are designed as a European amateur series, with the participating clubs providing the setting for competition and social interaction rather than functioning solely as venues for elite professional play.

The choice of locations adds another dimension. Golf Milano in Monza provided the starting point, while Rome, Antwerp, Paris and Lisbon form part of the circuit before the final gathering at Villa d’Este. These cities place the programme within established European cultural and luxury centres, echoing Buccellati’s own history of developing a network of boutiques in major Italian and international destinations.

The final event at Golf Club Villa d’Este will be followed by a celebration at Buccellati’s Milan boutique on Via Montenapoleone. The location is particularly appropriate for a maison whose history remains closely connected to Milan. The city is not simply the geographical origin of Buccellati; it has shaped the identity of the house and its understanding of Italian craftsmanship.

Buccellati was founded in Milan in 1919 by Mario Buccellati. Mario established his first shop on Via Santa Margherita, close to Teatro alla Scala, after taking over the business where he had previously trained. His work drew upon historic goldsmithing techniques, including engraving, chiselling and perforation, while translating visual references such as lace, tulle and honeycomb into precious metals.

This relationship between historical technique and contemporary jewellery has remained central to the maison. Buccellati describes its heritage through the preservation of traditional goldsmithing methods and the continued development of handmade jewellery and silverware. Its aesthetic has long been associated with finely worked gold surfaces, intricate openwork and textures that recall textiles and architectural ornament.

Mario Buccellati expanded beyond Milan during the early years of the maison, opening a Roman boutique in 1925 and a Florence location in 1929. The company’s international development followed later, but Milan remained the foundation of its identity and the home of its workshops and creative heritage.

The connection between sport and fine craftsmanship is therefore not entirely unexpected. Both worlds place importance on discipline, repetition and technical control, while the culture surrounding golf also carries a strong social dimension. Matches and tournaments frequently extend beyond the course into dining, conversation and shared experiences, creating a setting in which the more leisurely aspects of luxury can exist alongside competition.

For Buccellati, the European circuit provides an opportunity to bring those elements together without altering the character of either. The jewellery maison remains present through its identity and hospitality, while the golf course supplies the rhythm and structure of the sporting programme.

The initiative will continue beyond the European amateur circuit through Buccellati’s sponsorship of the Ladies Italian Open, scheduled to take place from 25 to 27 September. Fanali is expected to participate in the tournament as the maison’s ambassador, creating a direct link between the brand’s amateur programme and professional women’s golf.

That connection also reflects the growing visibility of women’s golf and gives Buccellati a broader platform through which to engage with the sport. Fanali’s role provides continuity between the maison’s European events and the professional tournament, while keeping the focus on the individual discipline and skill required to compete at the highest level.

The relationship between jewellery and golf may initially appear to belong to different worlds, yet both are unusually attentive to small distinctions. In golf, the difference between a successful and unsuccessful shot can be measured in degrees of angle, pace and timing. In goldsmithing, minute variations in engraving, surface treatment or proportion can alter the character of a finished object.

Buccellati’s heritage is particularly relevant to that idea because its work has historically depended on techniques that reward patience and manual precision. The maison continues to describe the preservation of these methods as an important part of its identity, maintaining a link between contemporary creations and the craftsmanship established by Mario Buccellati more than a century ago.

As the 2026 circuit moves towards its September conclusion, the programme consequently occupies an interesting space between sporting competition and cultural encounter. Its venues provide the landscape, golf supplies the challenge, and Buccellati contributes a tradition rooted in Milanese goldsmithing.

The final gathering at Villa d’Este, followed by the celebration on Via Montenapoleone, will bring those strands back to Milan, the city in which Mario Buccellati founded the maison in 1919. More than a century later, the setting remains fitting: a contemporary sporting initiative returning to the city where a distinctly Italian approach to craftsmanship first took shape.

In its 2026 European golf project, Buccellati is not attempting to blur the distinction between jewellery and sport. Instead, it allows two disciplines built upon precision, patience and personal expression to occupy the same setting. The result is a programme that places craftsmanship within a distinctly social context, demonstrating how a historic Milanese house can engage with contemporary sporting culture while remaining closely connected to the traditions from which it began.

Imagery is used for editorial and illustrative purposes. All image rights remain with their respective owners, brands, photographers and agencies.

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