Sotheby’s Hong Kong Presents the Most Significant Foujita Collection Ever Offered in Asia
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Few artists have bridged two artistic worlds with the cultural fluency of Léonard Tsuguharu Foujita. The Japanese painter who arrived in Paris during the early twentieth century did not merely adopt European modernism; he synthesised it with his own aesthetic heritage, creating a body of work that captivates collectors and institutions across continents.
This September, Sotheby's Hong Kong orchestrates a landmark moment in contemporary art commerce: the debut of fifteen exceptional Foujita paintings and works on paper from the Lewis Collection—the most substantial assemblage of the artist's creations ever presented for auction anywhere in Asia.

A Montparnasse Legend
Foujita's journey to artistic prominence unfolded within the bohemian ferment of Montparnasse between the wars. Working alongside Pablo Picasso, Amedeo Modigliani and the constellation of talents that defined the École de Paris, he forged a distinctive visual language that honoured his Japanese training whilst embracing European innovation. His technical mastery—particularly his refined approach to line, space and portraiture—distinguished him among his contemporaries.
The artist's self-portrait included within The Foujita Lexicon serves as both historical document and aesthetic manifesto. It encapsulates the duality central to his practice: the Montparnasse persona clothed in the cultural codes of two traditions. This tension—neither fully Eastern nor Western—became his greatest strength, and explains the enduring magnetism of his work among international collectors.
The Lewis Collection Milestone
The acquisition of fifteen works from a single private holding represents a rare event in the auction calendar. The Lewis Collection, now dispersed across the Hong Kong saleroom on 28 September, demonstrates the depth and breadth of Foujita's production: paintings executed in his signature technique, delicate works on paper, and portrait studies that reveal his preoccupation with capturing the essence of Parisian artistic life.
For collectors and institutions, such concentrated offerings provide an exceptional opportunity to examine the artist's stylistic evolution and thematic preoccupations within a single context. The sale underscores Foujita's elevated status within the modern canon and his particular relevance to Asian collectors seeking works that authenticate cultural hybridity and modernist sophistication.
A European Legacy Reimagined in Asia
Hong Kong's emergence as a premier venue for post-war and modern art auctions reflects broader shifts in global taste and acquisition patterns. The choice to debut this substantial collection in the city, rather than in Paris or London, signals the growing recognition that artistic narratives once anchored to Western capitals now find their most engaged audiences and discerning buyers across multiple continents.
Foujita's work, rooted in early twentieth-century European aesthetics yet animated by Japanese sensibility, resonates particularly with collectors who value artistic sophistication beyond geographical boundaries. His legacy—exemplified here through fifteen carefully selected works—continues to reward those who perceive art history not as a linear Western narrative, but as a complex dialogue between traditions.
The Foujita Lexicon: Works from the Lewis Collection arrives at Sotheby's Hong Kong as a definitive statement on an artist whose influence extends far beyond the Parisian studios where he spent his most productive years. Prospective bidders are invited to register through Sotheby's official channels ahead of the 28 September sale date.
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