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Christine Gachot’s guide to thoughtful gifting, Phaidon

The designer and author reveals her philosophy on gift giving as an act of creativity in a new book that transforms the ritual from obligation into genuine joy.

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Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Phaidon Press (@phaidonpress)

Christine Gachot has written The Thought That Counts: A Guide to Gifting for Every Occasion, published by Phaidon Press, reframing gift giving as a creative act rooted in genuine consideration of the person, the moment and the relationship itself. The designer trained at the Royal College of Art in London and has built a career bridging interior design, product development and cultural strategy; this book translates that same methodology to the page: each gift, like each room, begins with understanding the inhabitant.

Gachot approaches each present as a design problem to solve, moving the ritual far beyond price point or trend. Her writing weaves together practical strategies with personal reflection, asking readers to pause and consider what a gift might actually communicate. One concept anchors the book’s philosophy: the Monday Gift. The principle is simple yet profound. A small gesture of thoughtfulness sent to a friend on a random Monday, with no occasion at all, not birthday, not holiday, just someone thinking of you on an ordinary day. This captures what the book argues throughout: that gifting should be as joyful for the person giving as for the person receiving.

The gift ideas Gachot presents draw on handmade touches and selections from independent makers, chosen with care rather than plucked from a generic catalogue. The book includes examples where the choice itself carries meaning: a ribbon in cream silk, a colour palette spanning charcoal to sunshine yellow, gift tags with watercoloured details. Photographer David Urbanke has captured Gachot at work, surrounded by sketches, fabric samples in ochre and green, hand drawn cards and painted gift bags, revealing the process as much as the content.

Conversations with makers and designers have shaped the thinking that anchors each suggestion in real observation rather than marketing logic. The book spans 272 pages and moves through gift giving across the calendar and the human journey, from arrivals and celebrations to departures and quiet moments of care. The design of the book itself reflects its philosophy: the paper weight, the colour palette chosen for the cover, the typography and the integration of Urbanke’s photographs have all been considered as part of the gift itself, making the object a physical expression of the book’s central argument.

Photographer David Urbanke has captured Gachot at work, surrounded by the tools of this particular craft: sketches, fabric samples in ochre and green, hand drawn cards, painted gift bags. The images reveal the process as much as the content. Thoughtful gifting, they suggest, is a visual and creative practice, one that draws on personal knowledge, attention to colour and texture, and genuine consideration of the person on the other end.

What emerges across the pages is a philosophy that rejects the commercialised framing of gift giving as transaction or task. Instead, Gachot positions it as a form of communication, a moment to pause and say something that words alone cannot convey. The book becomes a practical tool, but also something more: permission to give without anxiety, to create without overthinking, and to trust that intention, carefully expressed, is what actually matters.

The Thought That Counts is available from Phaidon.com, with worldwide shipping.

Christine Gachot trained at the Royal College of Art in London and has built a career bridging interior design, product development and cultural strategy across residential and commercial projects in Europe and beyond. Her approach to design systems and spatial thinking translates directly to the methodology she applies in this book: each gift, like each room, begins with understanding the inhabitant. Phaidon Press, founded in 1923 and now based in London, has published more than 1,500 titles across art, design, photography and visual culture, establishing itself as a publisher for those who approach their disciplines with intellectual rigour and aesthetic precision.

The Thought That Counts spans 272 pages and moves through gift giving across the calendar and the human journey, from arrivals and celebrations to departures and quiet moments of care. Gachot’s writing draws on conversations with makers, designers and people whose relationship to giving has shaped her own thinking, anchoring each suggestion in real observation rather than marketing logic. The book’s design, like its content, reflects its philosophy: the paper weight, the colour palette chosen for the cover, the typography and the integration of Urbanke’s photographs have all been considered as part of the gift itself, making the object a physical expression of the book’s central argument.

Available from Phaidon.com with worldwide delivery, the book costs GBP 35. Gachot’s guide sits alongside her broader practice as a designer and cultural thinker, one that has consistently questioned how we inhabit space, make choices and communicate care through the objects and environments we choose. In this book, that same philosophy finds its fullest expression: that thoughtful action, however small, is the most valuable currency we possess.

A small wrapped gift in cream tissue paper and ivory ribbon sits on a patterned surface printed with delicate branches and white blossoms, with a grey ceramic bird ornament placed alongside.
A flat lay of Christine Gachot's creative workspace showing hand-drawn gift cards with watercoloured paintings of bottles, bags and figures in red and blue ink, surrounded by pencil holders filled with brushes and colour swatches in a grid palette of ochres, blues, greens and yellows.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.

Imagery courtesy of Phaidon Press (@phaidonpress).

A small wrapped gift in cream tissue paper and ivory ribbon sits on a patterned surface printed with delicate branches and white blossoms, with a grey ceramic bird ornament placed alongside.
A flat lay of Christine Gachot's creative workspace showing hand-drawn gift cards with watercoloured paintings of bottles, bags and figures in red and blue ink, surrounded by pencil holders filled with brushes and colour swatches in a grid palette of ochres, blues, greens and yellows.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.
Christine Gachot sits at a wooden desk in a sunlit studio, wearing a cream knit jumper and grey trousers, smiling while holding a pen. Behind her, white flowers in a ceramic vase, stacked books, and small decorative objects on a wooden tray.

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