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GCDS launches Morso fragrance under Giuliano Calza’s direction

Creative director Giuliano Calza has conceived the fashion house's first fragrance: a composition of dates, hazelnut and rum tempered by honeyed jasmine and a dusting of incense. The Morso campaign stars Rina Lipa.

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Woman with long dark hair wearing a black lace jacket with cutout detail, holding a gold cylindrical fragrance bottle labeled Morso by GCDS against her shoulder, set against a white background
GCDS (@gcdswear)

Giuliano Calza, creative director of Milan-based GCDS, has composed Morso, the fashion house’s first fragrance. The scent opens with roasted dates and hazelnut tempered by rum, moves through honeyed jasmine and amber, and settles into creamy vanilla and incense. The cylindrical gold bottle carries the house nameplate pressed into its surface. Morso is available in four sizes—18ml, 30ml, 50ml and 100ml—on gcds.com and at selected retailers worldwide.

Calza founded GCDS in 2014 on the principle of merging streetwear codes with tailoring precision, a philosophy that reads directly into the fragrance’s structure. Dates and rum suggest indulgence; incense introduces restraint. Honeyed jasmine pulls toward warmth while creamy vanilla anchors the composition. What emerges is appetite held in check, a duality familiar to anyone who has worn Calza’s tailored jackets, which interrogate fashion’s codes through unexpected openings and controlled contradiction.

The campaign imagery pairs the gold cylinder against black lace cut through with voids, the styling refusing softness while remaining composed. The negative space, the way the bottle is held close, the downward gaze: each element communicates restraint rather than display. The visual echoes the fragrance itself, where luxury reads not as obvious indulgence but as intentional precision.

For a limited period, each bottle comes with a complimentary gift. The move into fragrance represents a natural extension for Calza, whose approach to garment construction now governs olfactory composition, applying the same rigour across material and scent.

Giuliano Calza founded GCDS in 2014, establishing the Milan-based house through an approach that merged streetwear codes with haute couture tailoring. His work has consistently explored the tension between structure and subversion, a philosophy now extended into fragrance composition. The move into scent represents a natural expansion for a creative director whose garments interrogate fashion’s traditional hierarchies, applying the same conceptual rigour to olfactory construction.

The fragrance bottle itself carries GCDS’s design signature. Cast in glass with a cylindrical form, the vessel’s gold finish and embossed nameplate echo the metallic detailing frequent across Calza’s collections. The proportions remain deliberately austere, resisting decoration in favour of clean geometry, a choice that mirrors the scent’s own restraint. Four sizes accommodate varying usage patterns: the 18ml serves as introduction, while the 100ml offers committed devotion.

Daniel Sannwald’s campaign photographs reveal the tension Calza pursues in fragrance translated through imagery. Rina Lipa wears black lace strategically cut with voids that expose skin beneath, the jacket’s construction demonstrating the same principle governing Morso’s composition: darkness interrupted by light, coverage balanced against revelation. Her downward gaze and the way she cradles the bottle suggest intimacy rather than display, a quieter register of desire.

The fragrance launches with a promotional offering: a complimentary gift accompanies each purchase for a limited period, though the specific item remains undisclosed in the official announcement. This approach differs from typical fragrance marketing, which tends toward elaborate unboxing experiences. Instead, GCDS opts for restraint, allowing the scent itself to command attention. Distribution spans gcds.com and selected independent retailers, a selective placement that maintains the house’s positioning outside mass-market fragrance channels.

Morso positions fragrance as extension of GCDS’s existing practice rather than departure. Where Calza’s tailoring rewrites fashion codes through precision and controlled contradiction, the scent composition applies identical logic to volatile compounds. The result reads not as accessory to the GCDS wardrobe but as continuation of a single aesthetic vision, one that understands luxury through the lens of intentional restraint and conceptual depth rather than obvious indulgence.

Gold cylindrical fragrance bottle with GCDS branding beside its silver metal mold, both displaying the same ridged sculptural form characteristic of the Morso bottle design

Imagery courtesy of GCDS (@gcdswear).

Gold cylindrical fragrance bottle with GCDS branding beside its silver metal mold, both displaying the same ridged sculptural form characteristic of the Morso bottle design

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