Günter Leuchtmann’s sculptural sphere illuminates Zen’s intimate bar

Above the first floor bar of Restaurant Zen Singapore, a pendant sculpture by Günter Leuchtmann commands quiet attention. Le Tre Streghe, created in 1981, is a work of considerable refinement: a spherical form of clear glass suspended within a framework of brushed brass and perforated metal mesh. The sphere itself reflects and refracts the warm light within, casting soft geometric patterns across the bar below while the mesh cylinder above filters luminescence into something almost meditative.

The piece exemplifies Leuchtmann’s approach to lighting design, where form and function dissolve into pure sculptural presence. The German designer’s work bridges the boundary between functional object and contemplative art, a sensibility that aligns closely with the philosophical restraint and considered elegance that defines Zen’s dining philosophy. The pendant hangs with deliberate stillness, a three dimensional meditation visible from multiple vantage points within the restaurant.

In the photograph, one can observe how the sculpture interacts with its surroundings: the interior shelving and tableware visible through the glass sphere, the brass supports catching the ambient warmth, the perforated metal acting as both diffuser and sculptural gesture. This layering of material and light is characteristic of Leuchtmann’s practice, where each element serves both practical and aesthetic purpose. The work has aged gracefully, the brass developing the patina that speaks to genuine vintage craftsmanship rather than reproduction.

The presence of such a considered piece above the bar speaks to Restaurant Zen’s commitment to creating an environment where every element has been thoughtfully selected and positioned. This is not decoration applied to a space, but rather the deliberate curation of objects and materials that contribute to a coherent sensory experience.

Imagery courtesy of Restaurant Zen Singapore (@restaurantzen.sgp).