Port Tanger’s Jadbh Collection unveils three sculptural sunglasses
The Noor, The Mektoub and The Leila represent a new chapter in the Moroccan eyewear house's vision of colour, form and light. Each pair bends geometry into wearable art.
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Port Tanger has crafted three new sunglasses from its Jadbh Collection, each a study in chromatic drama and architectural precision. The Noor arrives in a deep teal frame with coral lenses that glow with an almost molten warmth, a colour pairing that speaks to the intensity of Mediterranean light meeting North African earth. Its geometry is restrained, the silhouette squared and confident.
The Mektoub takes a different path entirely. Rendered in olive green with a pale yellow lens, it carries an almost whimsical upward sweep to its arms, like wings caught in gentle flight. The frame widens at the bridge and tapers towards the temples, a composition that feels both playful and deliberately considered. The pale lens suggests softness without sacrificing presence.
Then The Leila, perhaps the most arresting of the trio. Its twisted frame bends from teal through charcoal into rust and burnt orange, the lenses graduating from pale gold to deeper coral as they descend. The silhouette itself curves, almost like a comma or a question mark rendered in acetate, questioning what a sunglasses frame might become if it surrendered to pure form rather than convention.
These are not accessories meant to disappear. Each pair demands to be seen, to colour the wearer’s vision not merely through its lens but through the sheer sculptural presence it commands. The frames carry that particular Moroccan sensibility of Port Tanger’s house: unafraid of colour, committed to craft, willing to let geometry breathe and bend.
Imagery courtesy of Port Tanger (@porttanger).
