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Ten Unmissable Artworks Define This Year’s Paris Edition

From Beauford Delaney's abstracted street scenes to Annie Ernaux's intimate photography, Art Basel Paris presents a carefully curated selection of works that illuminate the evolution of modern and contemporary artistic practice.

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Beauford Delaney, Untitled (Greene Street), 1950, abstract painting with thick impasto strokes in warm Fauve colours
Art Basel (@artbasel)

Art Basel Paris presents an extraordinary assemblage of ten carefully selected artworks that encapsulate the breadth and sophistication of contemporary artistic vision. Each piece speaks to the profound ways in which artists across generations have grappled with portraiture, landscape, intimate experience and the recorded moment.

Lewis Baltz, Tract Houses, 1971, black and white photograph of uniform suburban residential buildings

Beauford Delaney’s Untitled (Greene Street) from 1950 emerges as a luminous meditation on artistic community and creative sanctuary. Created within the bohemian circles of New York’s Greenwich Village, where the artist had established his studio in 1936, the canvas captures the recurring subject of Greene Street rendered in sumptuous impasto and richly saturated Fauve inspired hues. The work pushes toward abstraction, a trajectory that would deepen when Delaney eventually relocated to Paris, following the encouragement of his protégé James Baldwin.

Annie Ernaux and Marc Marie, Bedroom, End of May – Beginning of June, 2003, photograph of intimate interior with clothing

Lewis Baltz’s Tract Houses from 1971 offers a penetrating examination of suburban American expansion through the language of black and white photography. His unflinching documentation of newly constructed and unfinished dwellings in Newport Beach presents uniformity as both aesthetic subject and social commentary, transforming the landscape of post war development into a compelling artistic statement. The series proved instrumental in establishing Baltz’s reputation, leading to his early solo exhibition and subsequent inclusion in the influential New Topographics movement.

Additional artwork from Art Basel Paris selection

Annie Ernaux and Marc Marie’s Bedroom, End of May, Beginning of June represents a profound collaboration born from a moment of extraordinary personal intensity. Captured in 2003 during a period when Ernaux was navigating both serious illness and passionate love, these postcoital still lifes transform the intimate detritus of shared space into vehicles for philosophical inquiry. The photographs, paired with the artists’ reflective writings, form part of a sustained exploration of memory, embodiment and the complicated intersections between private experience and artistic documentation.

Additional artwork from Art Basel Paris selection

Together, these ten works demonstrate the sustained power of art to illuminate the inner life, the transformed landscape and the infinite richness of human experience across time and geography.

Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection

Imagery courtesy of Art Basel (@artbasel).

Lewis Baltz, Tract Houses, 1971, black and white photograph of uniform suburban residential buildings
Annie Ernaux and Marc Marie, Bedroom, End of May – Beginning of June, 2003, photograph of intimate interior with clothing
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection
Additional artwork from Art Basel Paris selection

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