Tishan Hsu explores the sublime convergence of flesh and digital realm
The New York artist's inaugural Piraeus presentation interrogates the permeable boundaries between corporeal existence and technological abstraction through a mesmerising body of new works.
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In the storied port city of Piraeus, Lisson Gallery unveils an extraordinary artistic meditation on the nature of embodiment and virtual consciousness. Tishan Hsu’s inaugural presentation in Greece arrives as a profound enquiry into the increasingly dissolved boundaries between the corporeal and the digital, the tangible and the ephemeral. Conceived in collaboration with The Intermission, the exhibition assembles a collection of new works that extend the New York based artist’s decades long investigation into the intricate dialogue between physical presence and virtual experience.

The compositions that constitute this remarkable body of work represent a sophisticated evolution in Hsu’s artistic practice. By harnessing artificial intelligence as a generative tool and subsequently subjecting the resulting imagery to meticulous artistic manipulation, Hsu creates works of profound complexity. These interventions are applied to rounded, screen like supports that possess an almost organic sensuousness, their curved forms echoing the contours of the human body itself. The juxtaposition creates a compelling visual paradox: works that appear simultaneously technological and deeply tactile, digital yet unmistakably present in physical space.

This philosophical enquiry into duality and convergence builds upon Hsu’s established reputation as a conceptual artist of considerable intellectual rigour. His recent institutional presentations including solo exhibitions at the Museum of Contemporary Art Toronto and MAMCO in Geneva during 2024, as well as his significant presentation at Secession in Vienna from 2023 to 2024, have cemented his position as one of contemporary art’s most significant voices exploring the intersection of technology and human experience.

The Athens exhibition represents a particularly resonant moment for such inquiry, presented within a city whose ancient philosophical legacy grapples with fundamental questions of existence and perception. Hsu’s work continues this genealogy while firmly rooted in twenty first century concerns about artificiality, authenticity and the nature of vision itself.

Tishan Hsu’s New Work: 2026 remains on view through December 19th, 2026, offering visitors an extended opportunity to contemplate these layered investigations into the human condition in an age of unprecedented technological transformation.
Imagery courtesy of Lisson Gallery (@lisson_gallery).



