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Two Compelling Exhibitions Open at No.9 Cork Street This Autumn

Frieze brings together emerging and established voices at its Cork Street venue, where abstraction and figuration collide in two thought provoking shows running through November.

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Abstract acrylic painting on linen canvas with sweeping gestural marks in muted tones by Jack Penny titled Changing of the Guards
Frieze (@friezeofficial)

The autumn calendar at No.9 Cork Street heralds a moment of artistic convergence, where two distinct sensibilities unfold across the same hallowed walls. From the final days of October through to November, Frieze presents exhibitions that speak to the evolving language of contemporary painting and the restless energy of artistic exploration.

Large-scale acrylic on linen canvas featuring horizontal bands of colour and movement by Jack Penny titled Rushes

Jack Penny’s An Appetite That Survives All Feasts arrives as a cascade of colour and gesture. His acrylic works, executed across substantial canvases, reveal a painter wrestling with form and abstraction. Titles such as Changing of the Guards and Rushes suggest narrative lurking beneath the surface, yet Penny’s hand moves with an intuitive freedom that resists easy interpretation. The scale alone invites immersion, those monumental linen surfaces becoming almost architectural in their presence, demanding proximity and time.

Abstract acrylic composition on raw canvas with organic forms and layered colour by Jack Penny titled Oxytocin Loop I

Across the same gallery, Afterglow: From the Residue of a Departed Sun charts a different terrain entirely. Here, figuration and mark making converge in works that carry the weight of emotion rendered through material. Maitha Abdalla’s layered compositions of acrylic and charcoal build atmosphere through restraint and subtlety, whilst Mohamed Monaiseer’s oil paintings possess a quieter, more contemplative register. These are works that whisper rather than shout, their power emerging through careful accumulation of pigment and intention.

Mixed media work combining acrylic and charcoal on canvas by Maitha Abdalla titled When You See Me

The pairing creates a productive dialogue between different approaches to the canvas. Where Penny’s abstractions pulse with energy and scale, the Afterglow works invite contemplation of memory, absence and the traces we leave behind. Together, they reflect the richness of contemporary artistic practice: the multiplicity of voices, the range of possibilities that painting continues to offer.

Oil painting on canvas in warm tones showing figural abstraction by Mohamed Monaiseer

No.9 Cork Street, with its storied provenance and white cube neutrality, provides the ideal stage for such convergences. Through November, visitors will encounter work that challenges, provokes and ultimately celebrates the enduring vitality of painting as a medium for artistic expression.

Abstract acrylic painting on linen canvas with sweeping gestural marks in muted tones by Jack Penny titled Changing of the Guards

Imagery courtesy of Frieze (@friezeofficial).

Large-scale acrylic on linen canvas featuring horizontal bands of colour and movement by Jack Penny titled Rushes
Abstract acrylic composition on raw canvas with organic forms and layered colour by Jack Penny titled Oxytocin Loop I
Mixed media work combining acrylic and charcoal on canvas by Maitha Abdalla titled When You See Me
Oil painting on canvas in warm tones showing figural abstraction by Mohamed Monaiseer
Abstract acrylic painting on linen canvas with sweeping gestural marks in muted tones by Jack Penny titled Changing of the Guards

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