WWAKE’s handcrafted gemstone gifts hold the year close
From vintage kite cut diamonds to Australian black opals, the jeweller's latest collection captures moments and connections in rare, one of a kind pieces.
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The Modified Kite Cut Diamond Dome Monolith Ring No. 45 arrives as a study in sculptural contrast. A large vintage kite cut diamond, its steep angles sharpened by time, sits atop a half round thick gold band that curves with soft geometry. The diamond’s attenuated proportions catch light with dramatic precision, drawing the eye inward to a centre that refuses to settle.

Emerald green demands its own language. The Pear Cut Emerald Dome Monolith Ring No. 8 sets a vivid pear emerald into matte gold, its surface studded with handcrafted beads that shift the weight of the design from formal to playful. The stone’s Jardin effect, those natural garden like inclusions inherent to emeralds, transforms the gem into a miniature landscape, verdant and intimate.

Movement and colour converge in the Topaz Pool Tennis Bracelet, where each gemstone has been hand set into a gradient that flows from pale aqua and mint through vivid teal into deep ocean blue. Blue zircon from Cambodia, London blue topaz from Brazil, and green beryl from Nigeria meet the wrist as a shift of light through clear water, each turn revealing a new tone.

The Sapphire and Ruby Float Ring No. 1 celebrates the impossible: eleven mesmerising sapphires and rubies arranged to evoke weightlessness. Each stone is wholly unique in cut and colour, moving between blue lavender and vivid ruby red in a sculptural composition that recalls a twilight sky suspended in motion. The design reads differently depending on which gemstone commands focus.

Completing the collection, the Opal Freeform Borealis Pendant No. 39 holds a striking black opal from Australia alive with vibrant greens, blues, and purple. Its undulating surface suggests a river in motion, set within a luxurious gold setting designed to be held and touched.








Imagery courtesy of WWAKE (@wwake).











