Monies merges faceted fluorite and serpentine in sculptural pendant
The Copenhagen studio combines raw minerals with refined metalwork in a new pendant that balances geological drama with intimate scale.
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Monies has created a pendant that reads as a miniature geological study, three distinct elements stacked with the precision of a collector’s arrangement. At its crown sits faceted fluorite in pale chartreuse, its surface catching light through geometric angles. A band of serpentine follows, its striations shifting from deep mauve to copper as the stone catches the eye. Below comes a faceted amber form, its warm translucence grounding the composition in amber and honey tones.

The pendant hangs from a slender black cord, allowing the minerals to occupy space as objects in themselves rather than mere ornament. What distinguishes this work is its restraint: no redundant metal framework, no gilded mountings. Instead, the maker has let the stones’ natural faceting speak, their edges catching light in ways that reveal both the stone’s weight and its luminosity.

Each piece from the studio carries the hand of makers working within the atelier at Nordre Toldbod in Copenhagen, where Monies continues its practice of treating minerals as sculptural material. The pendant arrives as a commissioned work or through private access, available to those who engage with the studio directly.


Imagery courtesy of Monies (@monies_official).



