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Avery, Gottlieb and Rothko: three masters by the sea

Pace Gallery presents a landmark exhibition celebrating the enduring creative friendship between Milton Avery, Adolph Gottlieb and Mark Rothko, whose summers on Cape Ann shaped their artistic vision.

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Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Pace Gallery (@pacegallery)

The Phillips Collection in Washington, DC opens “Avery, Gottlieb & Rothko: By The Sea” this autumn, a meditation on friendship, landscape and the transformative power of light. The exhibition brings together works by three painters whose summers spent in Gloucester, Massachusetts, on Cape Ann shaped not merely their technique but their philosophical approach to colour, form and the ineffable beauty of water and sky.

Wide gallery view with Mark Rothko's red and orange abstract composition on the left, multiple smaller framed works along the far wall, and a wooden bench in the centre of the light wood floor

Milton Avery, Adolph Gottlieb and Mark Rothko found in Cape Ann a sanctuary from the intensity of urban artistic life. The sea, with its shifting tones and mercurial surfaces, became their muse. Avery’s flattened horizons and ochre tonalities evoke the specific warmth of New England summers. Gottlieb’s gestural abstractions capture the raw energy of crashing waves. Rothko’s floating rectangles of deep amber and violet seem to hold within them the memory of sunsets and the profound silence of a shoreline at dusk. Seen together, their works form a conversation between artists united by geography, ambition and mutual respect.

Two Milton Avery paintings in a quiet gallery alcove: abstract seascapes in horizontal format, one rendered in layered greys and blues, the other in golden yellow with white foam suggesting waves, separated by soft gallery lighting

The gallery walls, painted in warm charcoal and soft greens, create an intimate setting that allows each canvas to breathe. A warm wood floor reflects gallery light as if water itself. Benches invite prolonged looking, the kind of sustained contemplation these paintings reward.

Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring

“Avery, Gottlieb & Rothko: By The Sea” runs through January 24, 2027. Pace Gallery also shows works by Gottlieb and Rothko in “Gottlieb/Rothko: The Surrealist Years,” opening November 13 at 125 Newbury in New York, extending this dialogue across two cities and decades of artistic practice.

Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring

Imagery courtesy of Pace Gallery (@pacegallery).

Wide gallery view with Mark Rothko's red and orange abstract composition on the left, multiple smaller framed works along the far wall, and a wooden bench in the centre of the light wood floor
Two Milton Avery paintings in a quiet gallery alcove: abstract seascapes in horizontal format, one rendered in layered greys and blues, the other in golden yellow with white foam suggesting waves, separated by soft gallery lighting
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring
Gallery installation view showing Adolph Gottlieb's blue and black composition on the left wall, Milton Avery's golden ochre canvas on the right, separated by warm-toned gallery walls and warm wood flooring

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